for the love of bridges

I have written a number of times about bridges, their simple beauty and the increasingly rare appearance of steel arched types. This bridge, in central Kansas, crosses a small river not far from the original path of the Oregon Trail.  On this day it was dripping from a recent rain and the sky was an eerily-threatening monotone of gray.

ks bridge 02

ks bridge 04

ks bridge 06

ks bridge 07

These were shot on a medium format late 1950's Zeiss Ikon Nettar folding camera recently given to me by my uncle.

Thanks Pete.

Price Tower

Price Tower exterior 01

In northeast Oklahoma, just west of the Osage Indian Reservation, lies Bartlesville, home of Phillips Petroleum and Frank Lloyd Wright's only completed "skyscraper" building, the Price Tower.

The history of the Price Tower is long and complex and Frank Lloyd Wright's recycling of an earlier unbuilt tower design is well documented.  It is all worth reading and a little study, but it really does not prepare you for a confrontation with the building itself.  And even though by today's standard the building is not so tall and the motifs a bit dated, the building itself has a magnificent sculptural presence.

Designed for multi-purpose usage, the tower houses offices and residential space on each of its central floors.  From the outside of the building, the horizontal slats and fenestration define the office spaces while the vertical louvers identify the residential portions.  Instead of subdividing the building vertically and stacking one use exclusively upon the other, Wright and his client choose to intermingle the two, with only the base and top-most floors housing a single function.

Price Tower plan

It is often easy to forget how ornate Wright's work was when fully executed.  The prairie houses he created had such a streamlined, simple and bold expression, that only actually visiting a work reveals the little carved panels and decorative embellishments.  At the Price Tower, those embellishments take center stage as patterned, aged copper panels dominate the entire building and find smaller, more refined expressions on the interior.

Like so many of Wright's best works, the Price Tower is simultaneously bold and sculptural, refined and almost precious.  It tetters on the edge of gilding the lily with its decorative motifs splashed across so much of the lower levels.  But it is worth remembering the unlike so many of his modernist European contemporaries like Gropius and Mies, Wright believed in a very earthy kind of romantic sensibility and trancendent Beauty.  In that sense, the Price Tower, like Wright himself, is a last echo of the nineteenth century passing through the end of the millenium.  The Price Tower feels like a beautiful mash-up of Craftsman materiality and the Jetsons sci-fi retro-futurism.

Price Tower section

It's not exactly on the beaten path, but a visit to the building is worthy of a prolonged side trip.  You can have a drink in the roof top bar or even stay in the boutique hotel created within, the Price Company's offices having long since removed themselves.  And in Bartlesville you can get quite excellent chicken-fried steak, so go to it.

(Much of the historical info and imagery here is from The Price Tower, published by Rizzoli, Anthony Alofsin, Editor)

Maurice Sendak

I posted this a couple of years ago and thought I would put it back up today in honor of the great Maurice Sendak who just passed away. This little sequence, where Max's room turns into a forest, is one of the reasons I became an architect.

Thank you Mr. Sendak.

"That very night in Max's room a forest grew

and grew-

and grew until his ceiling hung with vines

and the walls became the world all around"

This is still basically what I do everyday - imagine another world within the world.

Where The Wild Things Are

Story and Pictures by Maurice Sendak, 1963.

Happy New Year everyone

southwestern skies

The sky was as full of motion and change as the desert beneath it was monotonous and still, - and there was so much sky, more than at sea, more than anywhere else in the world. The plain was there, under one's feet, but what one saw when one looked about was that brilliant blue world of stinging air and moving cloud. Even the mountains were mere ant-hills under it. Elsewhere the sky is the roof of the world; but here the earth was the floor of the sky. Willa Cather, Death Comes for the Archbishop

house construction and being local

wires

In many ways, building or remodeling is about the most local, job-creating activity within the economy.  Unless your construction is from very unconventional materials, they are most likely sourced relatively closely to the place of construction.  "Local" may mean the US, not the preferred 500 mile definition, but very few of the things consumers typically purchase can even say that.  Most of the wood in residential construction comes from the US or Canada (the importing of subsidized Canadian softwoods is a touchy subject for US manufacturers).

Almost all of the building stone and brick used here in Colorado is sourced within 500 miles.  The woods used for cabinetry and trim, unless exotic, are usually US grown, as is the drywall for the most part.  The most common import is probably tile, often from Mexico or Italy, along with countertops and roofing materials.  Each of those have readily available substitutes. ( If you really want to view the relative costs of  imports, take a look at stone importers.  It is less expensive to have stone quarried in China or Brazil and shipped over to the US than to source it locally.  This means that there are thousands of shipping containers carrying around the heaviest stuff imaginable - stone slabs, stacked like saltines, delivered across the US.  Stone is a natural product and much of the wide variety of available colors are due to this global sourcing and we have become so used to the variety I am not sure we could do without it.)(More about the excess of shipping containers in the US in a later post.)

trusses

For residential projects, labor costs represent about half the total hard costs of the entire project.  And of course, the labor of construction is most often local.  For residential projects, rarely do the subcontractors and laborers travel much more than 100 miles to the jobsite.  Of course, most of the soft costs of construction - architects, engineers, surveyors, etc. are also usually local as well.

wood

So, next time you see someone building a house or an addition, even a gargantuan edifice, remember that what you are seeing is the unconstrained and unforced redistribution of wealth.  From aspiring homeowners to local carpenters, masons, laborers, roofers, runs the stream of money like the braided channels of a river across a delta, from a single source to a thousand rivulets.