One of the sure-fire ways of designing a cool looking building in graduate school was to be infected with the Hyper-Attenuated Building Syndrome (HABS). Any project can be made absurdly long and skinny and by violating any notion of “pleasant” golden-section-type proportions, it instantly propels a project from everyday to extraordinary. Mind you, this was simply grad school students messing around. However, the Hyper-Attenuated Building Syndrome is no laughing matter:
The Power of Three (it’s a magic number...)
Threeness
With apologies to Schoolhouse Rock and De La Soul, what exactly is it about the number three, at least in the world of architecture and design, that makes it so ubiquitous and appealing? I’m not going to dive into the Holy Trinity or discourse about mind, body and soul, but it is so often true that a grouping of three is so often more compatible, more satisfying than two or four.
How to select materials - natural abstraction
In all of our projects we go through an extensive process of trying to choose materials for interior finishes. There are an almost infinite number of choices available for tile, wall and ceiling colors, flooring, etc. The final selection should reinforce the ideas of the design as well as meet the budget, technical and practical uses of each location.
Charles Haertling, the Usonian Houses
This is the first post highlighting the residential work of Boulder architect Charles Haertling.
As I mentioned in a previous post, I have broken the houses down into three gross categories - Usonian, Organic, and Regional Modernist. These are of course just broad labels and no architect’s work can be so easily organized. These categories are certainly not meant to be reductionist but rather my way of thinking about Haertling’s intentions as much as his completed works.
I. M. Pei's NCAR building, Boulder, Colorado, part 2
small town movie theatres
Most of the smaller towns that I passed through on a recent road trip had their version of the local movie palace. And most were closed down along with the rest of the storefronts along the main street. The emptiness of middle America is remarkable and so sad. We all hear the statistics about the growth of the larger cities and the gradual emigration away from small towns. But something about the desolate marque of the old movie theatre strikes me as the most melancholy of the all the main street ghosts.