Boulder Modern - talk by Mark Gerwing, local architect

First Christian church

I am giving a public talk on February 19th on a brief history of Modern Architecture in Boulder at the public library Canyon Theater.  I have given a version of this talk in the past, with emphasis on preservation of the recent past.  This time around I have rewritten the focus of the talk to present the work of some of Boulder earliest Modernist architects as a harbinger of the growth of a regionalist style.

Kenneth Frampton presciently set forth the idea of a type of critical regionalism that he felt would become one of the dominant paradigms for architecture as far back as the early 1980's.  I am certainly no academic scholar, but it is abundantly clear to me that a majority of the most interesting architecture produced over the last three decades in this country has come out of far-flung offices that embody Frampton's notion of Critical Regionalism.  Even a very cursory glance at the work of Will Bruder and Rick Joy down the southwest or Clark and Menefee and the late Sam Mockbee in the South reveals architectural practices that have extended the lessons of classic Modernism and have imbued them with the local vernacular architecture as well as very particular regional concerns.  In fact, most regions of the country have developed just this kind of very place specific architecture that consistently produce the most interesting work, albeit not the most breathlessly praised trends of the architectural press.

Willard 05

However, all that being said, it has seemed curious to me that the Rocky Mountain West does not seemed to have produced similarly informed, critical practices that have coalesced into a critical mass that could be seen as a regionalist style or approach.  At least not in the present tense.

P1070325

Boulder, Colorado, nestled against the Front Range, was a sleepy little college town with its founding based in mining and agriculture.  It was not that dissimilar from many similarly situated little cities, from Missoula, Montana to Ft. Collins and Colorado Springs, Colorado, south to Albuquerque.  From 1950 to 1970 however, radical transforms in population, transportation, local technology and an unprecendented growth building spree, allowed for a flourishing architectural culture that I believe was the avant garde of a nascent Mountain West critical regional style.

Mark Gerwing lecture invite revised

All of that is a very long introduction to what I hope will be a more brief, and certainly more entertaining talk.  Of particular interest to me is trying to place some remarkable buildings within their cultural context, from sox hops to the sexual revolution, in this time of great national and international upheaval - changes both frightening and thrilling.  If nothing else, I will be showing some pictures of some really cool buildings.

The Steps of San Francisco

San Francisco steps, concrete, multiple flights

San Francisco is built on hills - very steep hills.  And, its street layout is basically a traditional grid overlaid on this topography.  This makes for a lot of very crazy inclines for both streets and buildings.  For residential properties, this most often means steps up to the front door.  Many, many steps.

So many steps in fact that the "front door" of the house is really this multiple flight of stairs.

We recently started working on a project in Marin County, north of San Francisco, and I managed to get a day free to walk around the city.  And what struck me most was these vertiginous steps.  Some, like those pictured above, are composed of shifted flights that, one would suppose, take you up to a door unseen from the street.  They are attached to an otherwise fairly conventional structure and are a functional solution to the sharp grade change.  Others, like those shown below, are a presence unto themselves:

San Francisco steps, stone, multiple flights, with gate and funicular

These cascading stone steps curve up to a house almost invisible behind the retaining walls and private funicular (far right side) - a house that surely is a worthy culmination of all the effort required to get there.

San Francisco steps, brick, multiple flights

San Francisco steps, concrete, multiple flights

The stairs provide a very special function for a residence in the city - they create a layered sense of privacy that increases from the sidewalk to the house.  While some are rather fortress-like, most are subtle and have multiple smaller sets of stairs at the sidewalk's edge to begin to define the edge between public and private.  While the homeowners can claim legal property rights to all the steps, the lowest portions are as much in the public realm as the sidewalk.  The best of these stairs present the lowest step or two as a little gift to the sidewalk strollers of the city, a place to step out of the line of pedestrians, set down a package or reconsider the path home.

San Francisco steps, brick, under cover

I also especially like the little, quiet, private stairs that hide behind walls and other entrances.  These hold the promise of a kind of intimacy and civic grace - maybe only possible in a city with moderate crime rates and little icy mornings.

tile, pattern, geometry

nocce travertine, brick coursed

As I have probably spoken about in previous posts, we draw no real distinction between architecture and interiors.  They are all a part of crafting a series of spaces that are made of various materials that make up a building.  To that extent, we spend as much time, and often considerably more, choosing interior materials.

emperador marble, nocce and durango travertine, 3D cube pattern

Of particular pleasure for an architect may be the selection of tile materials, colors and patterns, as those selections are inherently tied up with geometry.  Overall the selection of materials and colors in a space need to balance and most frequently this can result in creating fairly simple floor patterns with tile run in a conventional grid arrangement.  However, I think it is a missed opportunity if we can not select a type of tile and a specific pattern of its installation that can reinforce the spatial and geometric ideas that are playing out in the rest of the space.

KL tile 01

The photos here are all from a recent project of ours in Boulder, Colorado, that was almost entirely an interiors-only project.  As a renovation of a conventional builder-type house, we avoided the costs of removing and changing a lot of interior walls by re-imagining the existing rooms and selecting materials and colors that would reinforce the nicer aspects of each space and draw one's attention away from the less-desirable parts.  Floor tile patterns were crucial to this strategy and became a theme in the newly envisioned house.

durango travertine and blue glass tiles, ashlar pattern, tile spacers still in place

I have written about my theory of the relative levels of abstraction of natural materials from their sources.  More than consistent color or theme or pattern, I think this is the most intriguing way of creating harmony within a series of spaces without resorting to a slavish consistency or patronizing "style".  Although the types and colors of the tiles used on the project were quite varied, they work together as a whole and are specific to each use and room to be functional and add to the overall feel of the house.

This project will conclude in the next few weeks and we will see the final results of the play of color and geometry to bring resolution to a house much in need of some character and order.

2013 Year End roundup - some images from the past 12 months

year end round up 2013

ReSource Wars!

RW NQWT sign

This past weekend we were part of a team that participated in ReSource Wars, a two-day design-build competition in service of the local building materials resource center here in Boulder.  The event was great fun and gave us the opportunity to design and build a quick project with a team of super talented friends and colleagues.

RW elevation

ReSource has been around for quite some time and they recently acquired a new building that needed some work.  The ReSource Wars event singled out 8 locations within the facility and assigned 8 teams to compete to make the most interesting, functional and awesome solution.  The team the we participated with - Not Quite White Trash - designed the Tool Library display wall.

RW bay

The Tool Library allows residents to peruse from a large selection of common hand tools and power tools and borrow them much like a book from a library.  Challenged with fitting a lot of tools along a wall only 25 feet long, we quickly realized that we would need more wall space.  Using only recycled building materials from the ReSource yard, we created a series of doors that are hinged and project out from the wall adding over 30 feet of more tool hanging space and can be flipped through like pages of a book.

RW screwdriver sign

All the various hangers for the tools were made from items we found in the yard, from recycled old tools to welded brackets and shelves.  Like Grandpa's old tool shed with the painted outlines of tools on pegboard walls, we utilized the tools themselves, in full 3D form, to hold the tools of the Library.

RW saw rack

The result we hope is a functional and funky display of the tools and their usage and will serve ReSource well.  However, maybe the greatest success of the two-day event was the forming and working of an amazing team.  The basic plan allowed for everyone to exercise their creative and technical skills and we completed the project with great camaraderie and only a little head-bashing.

RW initial sketch

Great and special thanks to ReSource to inviting us and to our SuperHero team mates:

Jim Walker, ACI Design Build, architect and builder

Mitch Levin, artist, metal worker extraordinaire

Aicha Menendez, landscape architect and designer

Brian Laak, furniture design and cabinet-maker

Mark Gelband, artist and builder

Guido Densler, master welder and metal worker

RW award